• MoFi 180g SuperVinyl LP Good As I Been To You front sleeve numbered-edition label RTI pressing
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MoFi 180g Bob Dylan LP

MoFi 180g Bob Dylan LP

$129.99 AUD
$129.99 AUD
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Good As I Been To You is Bob Dylan's 1992 solo acoustic album of traditional folk material presented here as a numbered-edition 180g SuperVinyl LP sourced from the original master tapes and pressed at RTI. The key benefit is archival-quality transfer and heavier vinyl for consistent playback and collector reliability.

If you struggle with thin-sounding reissues or inconsistent pressings this edition helps by using the original masters and RTI pressing standards to preserve dynamic range and acoustic detail so your turntable playback more closely matches the source recording.

  • 180g SuperVinyl weight for reduced resonance and improved groove tracking
  • Sourced from original master tapes ensuring authentic transfers of the 13 tracks
  • Pressed at RTI a well-known pressing facility for greater manufacturing consistency
  • Numbered-edition packaging for collector verification and provenance
  • Contains 13 traditional songs spanning country folk sea shanty bluegrass and blues

Compared to mass-market pressings this release emphasizes documented source material and heavyweight vinyl to reduce surface noise and improve tonal balance for acoustic performances. Unlike digital-only releases this LP provides analog playback benefits for turntable setups and collectors who prioritize original-sourced transfers.

Backed by sourcing from original master tapes and RTI pressing provenance this numbered-edition pressing is suitable for collectors and listeners who want documented manufacturing details and reproducible analog sound. Learn more today.

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Frequently Asked Questions

Is the MoFi Bob Dylan - Good As I Been To You LPSV worth buying for audiophiles?
Yes. This numbered-edition 180g SuperVinyl pressing is aimed at listeners who care about analog sound because it is sourced from the original master tapes and pressed at RTI, a pressing plant known for high-spec vinyl production. Those three facts — original-master sourcing, heavyweight 180g vinyl, and RTI pressing — are measurable indicators that can reduce surface noise, improve tracking stability, and preserve greater dynamic range compared with generic pressings. Audiophiles and serious collectors who use well-calibrated turntables, high-quality cartridges, and proper phono stages will hear the most benefit. For casual listeners on basic or poorly set-up systems, the differences will be less audible; improvements are system-dependent rather than guaranteed across all playback setups.
Will this 180g vinyl work well on my modern turntable?
Yes. The MoFi Good As I Been To You LPSV is a standard-format LP pressed at heavyweight 180g, so it is compatible with virtually all modern turntables designed for 12-inch records. The 180g weight improves platter coupling and tracking stability, but it also benefits from correct setup: ensure your cartridge alignment, tracking force, and anti-skate are adjusted to manufacturer specs to avoid excessive wear. This pressing is best enjoyed on turntables with a quality tonearm and a clean stylus; inexpensive or misaligned setups may not reveal the sonic advantages. If you use an integrated phono preamp or a cartridge outside common specifications, check compatibility with your dealer or manual before playing.
How does this numbered-edition SuperVinyl pressing differ from standard reissues?
This pressing differs in three concrete ways: it is a numbered-edition release, manufactured on 180g SuperVinyl, and sourced from the original master tapes, with pressing carried out at RTI. Numbering identifies limited production runs for collectors, 180g vinyl provides greater mass for improved stability and potentially lower rumble, and mastering from original tapes preserves the original tonal balance and dynamic information more faithfully than second- or third-generation sources. These differences primarily benefit collectors and listeners prioritizing fidelity and archival quality. That said, perceived improvement varies by playback system and listener sensitivity; some standard reissues can still sound excellent on many setups.
How should I care for and store this 180g vinyl to keep its sound quality?
Proper care will preserve the pressing’s sound quality. Store the record vertically in an anti-static inner sleeve and a sturdy outer jacket to prevent warping and dust accumulation, and keep it in a cool, dry place away from direct sunlight and heat sources. Before each play, use a carbon-fiber brush or a record-cleaning solution and a microfiber cloth to remove surface dust; for deeper cleaning, a dedicated record-cleaning machine or professional wet-clean can reduce noise. Handle by the edges and label area to avoid oils on the grooves. These practices benefit collectors and frequent players; however, deep scratches or severe warps cannot be reversed by cleaning and may still affect playback.
Is this album a good introduction to Bob Dylan or to traditional acoustic folk music?
Yes. Good As I Been To You is a 1992 solo acoustic album of traditional folk songs performed solely by Bob Dylan, making it an accessible introduction to his interpretive folk work. The album contains 13 tracks that span country, folk, sea shanty, bluegrass, and blues traditions, offering a compact overview of acoustic roots music and Dylan’s approach to traditional material. Listeners who want a stripped-back, vocal-and-guitar-focused entry point to Dylan or to traditional folk will find it especially appropriate. If you are seeking Dylan’s electrified 1960s sound or a greatest-hits overview, this album is more intimate and focused on traditional arrangements rather than his rock-era output.